the man known for his playful grooves, crafts house music like it should be - full of energy with sprinkles of fun. after releasing two digital albums on bandcamp, we thought it is time to give his music the medium it deserves: vinyl. you’re very welcome by the way.

double album in gatefold sleeve with transparent orange & red vinyl. limited to 300 copies.
it’s been a while since red lasers last release which left a void in the uk output of manctalo synth jams but now a planned schedule of three releases in quick succession means plenty more analogue chug for you to rattle your bones too.
first of the 3 is this unique double gatefold lp from red laser original kid machine.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

nice price deal !!! for the next musica diaz toro, u.k.-based producers danny dove (data records, loaded, audiotherapy) and eddie kid (former keyboarder of the streets) teamed up with the very talented julie thompson, who already worked with guys like tiesto and james holden, to present their first single could you be! on this limited promo-release you find the massive remix by labelhead francesco diaz & young rebels...

kid flicks is the music project started by greek producer and songwriter nickos devisis. highly in?uenced by the bright side of contemporary athenian life, multiculturalism and the internet culture, kid flicks created a unique sound which draws from various genres and styles. from electronic to sample-based music to psych pop to world music, the album full of upbeat pop melodies, explosive percussion and greek, middle eastern and african music references. kid flicks third album kid flicks and first with an updated 3-piece line up, will be released by klik records in greece and wordandsound in the rest of europe on late june. on december 2015 they showcased at glimps festival in belgium and their creative process and involvement in the athenian music scene were one of the subjects of cbc arts documentary series interrupt this program. they currently work with brooklyn-based pr agency drunken piano (carpark, yep roc) and booker jj pallis (boogarins).

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

limited 300 copy only vinyl ... with insert for typical local cooking!

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

after their storming hits of mid 80s sigue sigue sputnik dont need any presentation. songs like love missile f1-11 and 21st century boy, produced by giorgio moroder, are still actual on radios and dance floors all over the world. in 2015 martin degville, lead vocals from the outrageous electro band returns with his new project timex kid & a new line up: sigue sigue sputnik electronic. the new release is produced by moratto, ricky persi & riccardo ohmguru rinaldi. if you are ready for an hard & nasty next century track timex kid is out for you

back in 2001, austin s groove was released on subliminal records. it was made by a talented house music producer called kid creme. now in 2015, austin s groove is considered a true house anthem and kid creme a legend. on suara we ve decided to give it a facelift and adapt it to the times we are living. thats why we ve asked some of the hottest producers nowadays to give their personal re-interpretations to this masterpiece. here you can find remixes from huxley, gene farris and volkoder plus a 2015 edit from kid creme himself. suara links past and present with this special release!

all rise for the northwest american trifecta that is husband and wife duo quadrant & iris and their playmate kid hops. after the success of their first commercial suicide single “spinout” label boss klute asked the guys to commit to a full album and this sampler is your first taste of the forthcoming lp “206”.

hot shot sounds expand their remit with the launch of peddlin trax, a new houseorientated series to keep you riding all day and into the night. first up is the legend of amsterdam s house and hip-hop scene, the master kid sublime, anyone that follows his work on the dopeness galore label will agree this is a fine choice. real hipsters don t dance tees off in a kenny dope does b-boy house kind of vibe, whilst -that ringtone shit- is on more of a dog in the night tip. down below, both get high and one for ibiza are pure house bliss, the sort of cuts you love to slip in the mix, whilst kid sublime heads off into buttery beatdown boogie territory on closing track s.e.x.x.x. met jouwww. a strong start to the series.

2xlp comes in gatefold sleeves, printed innersleeves and inlay. vinyl is limited to 350 copies after 2 years from the release of iii, dusty kid is back with the new album that astonishes the audience once more for the change of direction.

melokolektiv and konvex & the shadow transform the original into an emotive electronica track, combining hypnotic pads and chords with a syncopated beat and cleverly chopped vocals.

dusty kid is back with a masterpiece that cannot be missed, a perfect soundtrack to the summer of 2015.

pumpin phunky chicagoesque house bombs

booty angel- feat. kid enigma ist die erste single aus till von seins zweitem solo-album -precious-. eine von ultimativer floor-enthemmung bis hin zu leichter schamesröte jede gefühlsregung triggernde nummer, die den vielleicht wichtigsten topos der r n b-geschichte aufgreift: das weibliche gesäß. johnjon kürzt aus dem original den funk heraus und nähert sich dafür aus der unterkühlten tech house-richtung. der discoide bounce und die bassline der tender games-adaption sind dem sexappeal des originals da sehr dicht auf den fersen. vervollständigt wird das remix-bundle durch eine jimpster-bearbeitung, die mit stehenden noten, percussion-geraschel und getunten vocals sämtliche deepness-potentiale des tracks herauskitzelt.

we are proud to have dug out these two bomb tracks from the 90&#8242,s by manchester legend kid simmons. for some weird reasons these tracks were never released, but here we go now: 2 funky house bombs that will make you bounce and jump like there was no tomorrow. expect more to come from the archives of this man!

kid creme, one of the most enigmatic figures in electronic music is back with a new track look for me a collaboration with nz producer jolyon petch. this is an official vinyl release on his own illegal beats label.

a sizzlin hot remix of sisy eys : aint got nobody on vinyl plus a track called kid.

when life gets tough, we always turn to music for physical and spiritual relief. we ve found that dancing to music with positive vibes brings us the joy and energy we need to get on with our daily rhythms. the four tracks contained on this disc are made for dancing. they fit perfectly in uplifting sets and are crafted to blend together with a wide range of house flavours. times are ruff understand what the soul needs to let go of the many forms of stress and pressures in life. we hope you enjoy the music as much as we have enjoyed making it and presenting it to you.

there has been an emerging uk synth scene for a few years now, with vinyl labels like cyberdance, flight recorder and red laser pushing the sound onto vinyl pretty much alone in the uk. defiant against the odds, their resilience is now coming to fruition as it finally seems the scene is exploding inspiring new generations of synth disco lovers to create labels or parties based on the european output of the scene. an artist that has been associated with all said labels and has been riding the wave even when it was a mere ripple is kid machine.

new kid sublime house fire, a quick 300. tip! kid sublimes back in the ballroom series, a homage to the first clubs appearing and dance music like disco, r&b and house was played. a tribute to “the warehouse” from chicago on the westloop (hence the loop –side b), where frankie knuckles (r.i.p.) used to dj as a resident. beside the term “house” derived from that particular era, the first volume of the back in the ballroom series is a record where kid sublime takes you back to the dance-floor. for the fans of that timeless sound by pioneers like steve -silk- hurley, frankie knuckels or a nowadays kenny dixon jr..ready for another kid sublime classic? b-boy house with that amsterdam twist!!

we have the honnor to receive for the first time a producer who really bring his own way of doing techno today and influence many techno artists, dusty kid, with 3 pure techno killers, hot and dark power techno in the same time with a detroit feeling or sound we listen to at berghain.

limited 1-sided white label 10 inch. he is back, in the run up to 2015’s longplayer dropping another slice of broken electronic pop this time teaming up with us isolationist and icey voiced songwriter kid a. here fmf delivers his trademarked frosted heartbreak chords with a grime lilt on the drums and low-end. we have enlisted the deft remix skills of visionist acknowledged leader of the new grime movement who adds his own low slung mood take on fmfs fractalised funk.

the new isolade release by dusty kid is a strictly sardinian affair (all involved artists are from sardinia) with tracks and remixes as varied as the island itself. in a playtime of 32 minutes you will experience magical, ambient, pushing, chilling or rough moments depending on the track/mix you hear. from the dancefloor hit *omega x* to the rough and dry version of the same track remixed by claudio prc and from the reduced but spheric hubble remix of *escape* to the gorgeous and epic saffron keira reinterpretation of *sandalyon*. if you cant make it to sardinia in the near future this is your alternative route for a short break.

karma kid, aka sam knowles, is a self-taught, 19-year-old producer who will release his new single bird of prey on future classic. bird of prey is the title track from the forthcoming ep, bird of prey. karma kid is one of the freshest faces in the uk bass scene. the vinyl ep includes a download code.

freshly 2014 repress edition !!
massive label 12 inch vinyl sampler... with deep discoish sound... three upper class tunes

the lost kid insists we leave the _____ blank. why describe what is easily available to listen?

ovums 20th birthday celebrations continues with the return of alexkid with 20-something years in the game, the former parisian turned berliner is lauded by peers and fans alike for his production technique, and infamous on the circuit for his extensive collection of - and near-obsessive relationship with - machines.

shawn hat egoprobleme. nicht, dass alle andere rapper keine hätten, aber shawn plagt sich mit wirklichen problemen herum, wie unzivilisierten alter-egos, gefährlichen doppelgängern und alternativen persönlichkeiten. produziert wurden die sechs tracks der ep zur hälfte von den dusty crates-kollegen melik und simp und zur anderen hälfte von shawn selbst. *egoprobleme* ist die weiterentwicklung eines jungen rappers, der bereits auf seiner debüt-ep mit storytelling auf wiener future-beats für aufsehen sorgte. mit *egoprobleme* etabliert shawn sich nun stück für stück als gereifter allround-mc zwischen geschichten erzählen und ellenbogen ausfahren.

tomorrow is now, kid! returns just in time for summer with a collection of tracks taken from a reel of tape. in my ghetto is the debut ep of anthony brooklyn, who has crafted four jams in spirit of the roughness of new york citys famous borough, brooklyn.
played by: slothboogie, ka§par, nathaniel jay, dj nav, david, fabio monesi (wilson records), alex alterskye, daniel curpen, leigh d oliver, djs: most charted - deep house, waze & odyssey, alex salvador, new jack city, kid mark, l atelier, borg ltd, marsupials

kidnap kid returns with a new single *stronger* which sees the award winning young london via sheffield, producer, real name matt relton, apply his singular touch to a six-and-half-minute dark and emotionally charged house epic. highlighted by expressive piano chords and a haunting vocal refrain. *stronger* displays the deft musical instincts and production flourishes that have singled him out as one of the uks hottest up and comers.

two of his best album tracks + two new fresh tracks have found the way on the new isolade release.

a fantastic, pushing and atmospheric remix of dusty kid himself and a very prickly mix of alva noto.

valcrond video presents the next work by sound and image artist luke wyatt, songs from bad kid school

after a period of absence, killax recordings comes back stronger on a vinyl only release (first one for the italian label) whit the participation of noego and marco zampini aka kid mark. funk, jazz, and foxy samples is what you feel in motherfunk to follow the raw notes of lift, less melodic track that becomes very rough and coarse, carachterized by a more mechanic an futuristic sound.

die harmonien seiner spanischen heimat treffen auf den bumms von berlin und die zeitlose magie kalifornischer sommernaechte - und das mitten im wunderschoenen lichtenberg am meer. trommelwirbel, fanfaren, fliegender roter teppich: der style fuer das fruehjahr 2014 heißt surf n bass. den meisten ist der 26-jaehrige wahlberliner bekannt aus dem umfeld des deutschen hip hop-endbosses marteria, seit vier jahren ist der selbsterklaerte affenjunge fester bestandteil von dessen crew

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

cyber dance records return with a full-length double-vinyl album from manchesters kid machine (aka mark wilkinson) following a string of instantly sold-out eps for viewlexx, red laser and flight recorder. a long-time collaborator of world-famous italo disco dj flemming dalum, it is no surprise that many of the tracks have that hallmark space sound reminiscent of the likes of cyber people and koto, but mark stamps his own distinct identity on the genre by slowing down the bpms and incorporating many other influences throughout so that this is no retro affair but a distinctly fresh and modern take on the genre.

after a few highly praised moments this year (a 23 track magnum opus album, entitled >ascensus< on gerds seminal label 4lux, as well as a best selling ep on chicagos high rising record label stripped & chewed, amongst others), kaspar debuts on tomorrow is now, kid! with an incredible four tracker called >spice of light<. his leanings towards the esoteric and spiritual are evident throughout, and contrasted with sexual tips and pure physical pleasure through his rough beat work. the whole set is aimed at the creation of a unique, personal sound that searches the deepest recesses of the authors creativity while still true to the sound track of the dance floor. a four tracker to file under some of the most unique moments in recent releases.

italys kid mark follows up his much revered releases on swink & deso records by delivering an ep that demonstrates his qualities of producer of that pure house music sound

sublime speaks the language to make that body work gon b alright (the time of your life) need we say more?: the body language ep, the new ep by amsterdams kid sublime, fans of early m.a.w, mike dunn and moodyman releases will not be dissapointed..b-boy house.

kid cultures experience in the electronic music has been firmly rooted from amsterdams thriving scene, the city where he currently resides, the diverse nature of the music scene in his home-town has given culture a wide array of soundscapes to influence his music, taking inspiration from jazz, funk, and hip-hop as well as house and techno.

ltd black vinyl repress
incl washerman remix

a dream team if ever there was one, kid fonque and rising star dj whisky have crafted a seductive, richly-textured composition which songbird zaki ibrahim has taken to sublime heights. be is a afro-tinged, drum-driven deep house number that is guaranteed to inspire some arm-raising, hip swaying dancefloor action. showcasing the enthralling vocals that only she is capable of - zakis intimate conversation draws you into a hypnotic realm of rhythm before expanding into a breathtaking ballad.